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Entertainment
Covering a broad spectrum of subtopics, including mainstream TV, Film, Books, Music, Celebrities, and more, this is a fantastic pack for those with a love of entertainment & celebrities. As with all our Quiz Lovers packs, this comes without images.. ACTIVATING THIS CATEGORYAfter your purchase, you'll receive an email with your redeem code allowing you to activate the pack instantly in the Outsmarted app.
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Entertainment, Death
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High Entertainment
High Entertainment
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Strange Entertainment
KAGOULE's latest album, "Strange Entertainment," is a wild and wonderful ride through the eclectic minds of this Nottingham trio. The band, comprised of frontman Cai Burns, bassist Lucy Hatter, and drummer Lawrence English, have crafted a collection of songs that blend post-punk, psychedelia, and pop in a way that only they can. From the opening track "Elastic Dream," with its jagged guitar riffs and hypnotic vocals, to the dreamy closer "Monarchy," the album takes listeners on a sonic journey that is as unpredictable as it is captivating. The band's knack for blending catchy melodies with off-kilter rhythms is on full display here, creating a sound that is both familiar and refreshingly original. Standout tracks like "Bad Faith" and "Magnifier" showcase the band's ability to shift effortlessly between moods, with Burns' distinctive vocals cutting through the swirling instrumentation like a knife through butter. The production on the album is top-notch, with every instrument and vocal line crystal clear and perfectly balanced. Overall, "Strange Entertainment" is a triumph for KAGOULE, cementing their status as one of the most exciting bands in the UK music scene. With its infectious hooks, intricate arrangements, and razor-sharp lyrics, this album is sure to please both longtime fans and newcomers alike. Don't sleep on this one - KAGOULE are here to stay, and they're not taking any prisoners.
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Researching Popular Entertainment
Researching Popular Entertainment is an essential volume for scholars delving into the vibrant yet complex world of popular entertainment. Written by a global network of experts, this book addresses the unique challenges researchers face in this field.The often-dismissed status of popular entertainment, coupled with its reliance on physicality and improvisation over scripted performances, has meant archival and textual sources tend to be more limited than in related theatre and performance disciplines.This scarcity requires historians to find alternative pathways through the available materials to recuperate seemingly insignificant figures and performance forms from our cultural past.This book provides a candid look into the research processes of its authors, highlighting some of the approaches they have adopted to overcome these challenges.It emphasises that reading performance as entertainment is a deliberate methodological choice.Regardless of whether a work is deemed high or low art, legitimate or illegitimate, understanding how it captivates its audience is central to the study of entertainment. Readers will benefit from its in-depth analysis and practical guidance, making it an indispensable resource for anyone studying popular entertainment.
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Media & Entertainment Law
Now in its fifth edition, this textbook combines comprehensive coverage with rigorous analysis of a key area of the law.The author illuminates how the courts strive to strike a balance between the freedoms and responsibilities of the press on the one hand and an individual’s right to privacy on the other. Maintaining its coverage of the law across the UK (including Scotland and Northern Ireland) and the EU, the new edition has been brought up to date with expert insights into significant developments and judgments, including: the impact of changes in intellectual property law, data protection, GDPR and copyright law post Brexit – including the cases of Schrems II and Ed Sheeran; analysis of new case law and developments in privacy and freedom of the media – including Duchess of Sussex (Meghan Markle) v The Mail on Sunday and ZXC v Bloomberg; the introduction of new Scottish defamation laws and the importance of defamatory meaning; the response to disinformation, fake news and social media – including tweeting jurors and contempt. With a variety of pedagogical features to encourage critical thinking, this unique textbook is essential reading for media and entertainment law courses at undergraduate and postgraduate levels and an insightful resource for students and reflective practitioners of journalism, public relations and media studies.
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GUNSHIP ENTERTAINMENT HOODIE
Men039s unisex zipup hoody
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Entertainment, Death
SPIRIT OF THE BEEHIVE's latest album, "Entertainment, Death" on blood red vinyl, is a sonic rollercoaster that is as bold and mesmerizing as it is confusing and chaotic. From the first note, you are plunged into a whirlwind of experimental sounds and unpredictable twists that will leave you scratching your head in awe. The band's refusal to be boxed into any one genre is both their greatest strength and their Achilles' heel. One moment you're blissfully floating in dreamy shoegaze melodies, and the next you're being ruthlessly pummelled by aggressive punk riffs. It's a wild ride, to say the least. Lyrically, SPIRIT OF THE BEEHIVE doesn't hold back either. The cryptic, often nonsensical verses paint a surreal picture that is as fascinating as it is baffling. From references to ancient myths to modern-day existential dilemmas, the band's lyrical prowess is on full display. However, for all its merit, "Entertainment, Death" can be a challenging listen for those uninitiated in the band's brand of musical wizardry. It's not for the faint-hearted or the casual listener. But for those willing to dive headfirst into the madness, the rewards are plentiful. Overall, SPIRIT OF THE BEEHIVE's "Entertainment, Death" is a daring and adventurous album that pushes boundaries and defies expectations. Love it or hate it, one thing's for sure: you won't forget it in a hurry.
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